About me

Carla Rees: Performer, Arranger, Composer, Collaborator
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Carla Rees is a British low flutes specialist who has developed an international reputation for her innovative work. Her multi-faceted career encompasses solo and chamber music performance, collaboration, recording, composing, arranging, editing and teaching. She performs on Kingma System flutes, as well as both baroque and contemporary repertoire on baroque flutes.

Her performing work encompasses chamber music and solo recitals, appearing frequently at international festivals, including flute festivals in France, Germany, Poland, USA, Canada, Costa Rica, Japan and the UK, as well as at BEAST Feast, Bangor New Music Festival, ICMC, HCMF, Cheltenham Music Festival, Kulturforum Pax Christi, Krefeld (Germany), Open Spaces Festival Nuremburg (Germany), Tirol Easter Festival, (Austria), Lunalia Festival (Belgium) Eglise Saint-Merri, Paris (France) and La Cote Festival (Switzerland), Sonic Circuits (USA), Spark Festival (USA) and others. Recent UK performances include at Iklectik, The Forge and Café Oto (London), MTIDMU Concert Series (Leicester), Fairfield Halls (Croydon), Handel House (London) and York Spring Music Festival. Concerts in 2019 include performances in the UK, Italy, Poland, Costa Rica, Japan and Brazil.

She is Artistic Director of rarescale, a contemporary chamber ensemble with whom she works to create and promote new repertoire for her instruments. She is also a member of the Edison Ensemble and Goldfield Ensemble and plays in a trio focussing on Feldman’s music with pianist John Tilbury and percussionist Simon Allen.

An active collaborator, Carla’s projects include improvised interdisciplinary work with ecosystemic electronic composer Scott Miller, and artist Caroline Wright. Other collaborations include the International Superflutes Collective and Hønk, the first European Contrabass Flute Ensemble.

Carla’s passion for the development of recital repertoire has resulted in the development of several hundred new works written for her by a wide range of composers. Premieres include works by Simon Emmerson, Claes Biehl, Dan Di Maggio, Alexander Goehr, Sungji Hong, Robert Fokkens, Daniel Kessner, Nicola LeFanu, Adam Melvin, Scott Miller, Patrick Nunn, David Bennett Thomas, Ian Wilson, Scott Wilson, Elizabeth Winters and long-term collaborative partner, Michael Oliva. Her most recent project sees the creation of new contemporary works for baroque flute, which she has combined with studies in early music performance with Serge Saitta.

Carla leads rarescale Flute Academy, an acclaimed flute ensemble for university level players, for whom she arranges numerous works. The ensemble has performed in Greece, Poland and the United States, and is currently collaborating with a number of composers to create new repertoire.

An experienced recording artist, she appears on more than 20 CDs (including for rarescale records, NMC, Metier, Heritage records and Edition Troy), including concerto recordings with the Royal Ballet Sinfonia and Ensemble Neumusik im Ostseeraum (Germany). She also appears on incidental music for film, TV and radio, including the 2018 release Mary Magdalene, and the BBC Radio 4 series Dear Professor Hawking. She has over 80 published compositions and arrangements (available through Tetractys), with recent performances of her works in the UK, USA, Canada, Japan, France, Poland and Belgium.

She completed her PhD at the Royal College of Music in London in 2014, researching extended techniques for Kingma System alto and bass flute with the support of scholarships from the Arts and Humanities Research Council and the RCM. She is Programme Leader for the distance learning BA(Hons) Music degree at the Open College of the Arts and an Honorary Research Associate and flute teacher at Royal Holloway University of London. She was Programme Director for two British Flute Society International Conventions, and currently serves as International Liaison Chair for the National Flute Association of America, as well as being a member of their New Music Advisory and Low Flutes committees. She recently became editor of PAN, the Journal of the British Flute Society. Carla plays Kingma System quartertone flutes made by Eva Kingma, Bickford Brannen and Lev Levit.